W. A. Production SphereComp | AudioDeluxe

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W. A. Production SphereComp

Sphere Comp - A dual mode compressor plugin

$59.00

Tabs

Description

W.A. Production has created the perfect way to approach and achieve proper compression. All
producers know compression can either be an award-winning tool if used properly, or it can
totally destroy your mix. Audio students are introduced to compression and most are left
confused or scared to death of it. SphereComp is capable of catering to the seasoned pro and
the beginner. To get the same results you get with SphereComp you would have to spend
thousands of dollars in high end rack gear, invest time getting acquainted, making adjustments
over and over until you get the result you want. Not to mention installation and routing your
patch bay. Breathe a sigh of relief. Don't dread compression. Embrace it.

What is dual – mode?
Dual mode allows YOU to switch from peak compression (regular mode) to RMS compression
(buss mode).

If you route your drum tracks (or any other group of tracks) into a group track, you are able to
compress this group as a whole. Tying or “gluing” the individual elements to perform as one.
The Buss mode is designed especially for that, It reacts to the RMS (root mean square) or the
average of the signal, creating a smooth and musical compression. Regular mode reacts to the
peaks of the signal, with it, you are able to dynamically shape the individual tracks. Keep in
mind that some individual tracks will benefit much more from RMS compression and some
groups or mixes will benefit more from peak compression, so experiment and see what works
best for your track.

FEATURES
Input
– Control the input gain by +/- 15dB.
Threshold – Threshold (dB), when the signal level exceeds the threshold the compressor goes
into action.
Ratio – (ratio/1) As an example, a 3:1 ratio means that for every 3dB the input signal exceeds
the threshold, only 1dB will be allowed to pass by the compressor.
Output – Control the output gain by +/- 15dB.
Now that you have your set your levels as a basic start, lets adjust the timing and behavior.
When you're done, you can come back and fine tune everything to make your track seat
perfectly in the mix.
Buss – Switch between Regular mode (peak compression) and Buss mode (RMS compression).
Attack – Time in milliseconds that it will take for the compressor to reach its destination gain
reduction, after the signal has crossed the threshold.
Release – Time in milliseconds that it will take for the compressor to reach 0 gain reduction
after the signal returned below the threshold.
Auto Gain – Auto Gain matches the output volume to input volume automatically.
Stereo – Switch between stereo and mono modes.
Punch – Parallel processing to add punch to the signal before the compression stage.
Saturate – Add tube style saturation to the compressed signal.
Clean – Make the compressor sound as clean as possible. If Punch or Saturate are on, it will
reduce their effect giving you different timbre options.
Side Chain – Signal from the right channel input goes to the detector and the signal from the
left channel input goes to the compressor.
Soft Clipping – Use to round the signal when it approaches 0.0dB and ensures it does not
exceed it.
Bypass – Allows you to engage and disengage the compressor.
Dry/Wet – Mixes between the processed signal and the input signal creating a parallel
compression effect, which leaves the peaks untouched while boosting the lower part of the
signal.

To help you out there are also 45 presets that focus on individual instruments and drum
sounds as well as groups, mix buss and mastering presets.
This is yet another way W.A. Production has made it easy for you to learn as you go. See what
the pro's do and make your own modifications. And as if that wasn't enough to get you excited
and ready to master compression, you will find pro tips and tricks inside the manual. That's
right, we weren't going to just leave ya hanging to figure it out for yourself. There is a manual to
assist you with getting started and getting the most out of Sphere Comp.

Be done with complicated compressors from creators who spent more time on the graphics
than the functionality of the plug in. W.A. Production are real producers making real plug ins.
We know how it is, and we make it how it should be.

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